Thursday, November 11, 2021

Satiation of Sorting Eggs into each their right basket



 I'm Rambunctious Because I'm Alive


The Cucks & Sluts Lost Us Out

Destroy The Walgreens (Again&Again&Again&Again)

Woke Die, Die

The Youth Are Boring

Everybody's Pissy (but Death Ain't Scary, Dying Is)



Intended Covers thinking of doing in which I prolly cannut get loicensin' to so'll release free:

House of the Rising Sun
Under my Thumb
Keys To The City
Shotgun Blues
Blueberry Hills

other stuff still, lots recorded, some need to be edited, mastered, levelled out
Others instrument additions:

Lavender Fields/Drown,Down Ophelia story play
w/
"Lavender Fields," "Vultures Up The Skies,"Drown Drown Ophelia,"
"Jespers Magic Drinkin' Glass" and several others.


"Amber Lane"
poppy acoustic rock single. Not attached to an album I don't think.

Instrumental soundtrack
"Death:The Infomercial" reprise of sound. Except more orgaic instruments added in.

Where songs like 'Hecate' and some from 2013-Present can have an audio home
also "Ink Black Ozone,"

The Jester Of Pandemia:
Several songs with dff genre styles
"Hollywood (and the Real World)"
"The jester of Pandemia"


Garage rock, electric guitar based songs:
Soul's Gonna Bleed


More story songs:

Vulture Fables,
Emerald Green Glass,
Ghost Child,
34th Layer of Neither/Neither,
Starfire is a Hell Song
Stone House Stone
Spirit Of The Almond Tree



I'm not lazy or unproductive or nothin' I just saw the hellish side of music distribution and also had a bit of a lull to the 'why' of creating things. But sorted that out.
There are a full spectrum of visions to harness and I guess what I "do" isn't so accepted or definitely welcomed round these parts or whathaveyou but I think I want to tell stories, be alive, be energetic, be unapologetic in being me and creating, and do playright formations.
Also tangible material is important. Like special edition or limited hands-on, flippable, viewable.

Intended Covers thinking of doing in which I prolly cannut get loicensin' to so'll release free:

House of the Rising Sun
Under my Thumb
Keys To The City
Shotgun Blues
Blueberry Hill

other stuff still, lots recorded, original songs
some need to be edited, mastered, levelled out
Others, instrument additions:

Lavender Fields/Drown,Down Ophelia story play
w/
"Lavender Fields," "Vultures Up The Skies,"Drown Drown Ophelia,"
"Jespers Magic Drinkin' Glass" and several others.

"Amber Lane"
poppy acoustic rock single. Not attached to an album I don't think.
_______
Woke, Die, Die EP

I'm Rambunctious Because I'm Alive

The Cucks & Sluts Lost Us Out

Destroy The Walgreens (Again&Again&Again&Again)

Woke Die, Die

The Youth Are Boring

Everybody's Pissy & Famous (but Death Ain't Scary, Dying Is)
_____

Instrumental soundtrack
"Death:The Infomercial" reprise of sound. Except more orgaic instruments added in.

Where songs like 'Hecate' and some from 2013-Present can have an audio home
also "Ink Black Ozone,"

________
The Jester Of Pandemia:
Several songs with dff genre styles
"Hollywood (and the Real World)"
"The jester of Pandemia"

Garage rock, electric guitar based songs:
Soul's Gonna Bleed
21 Flavors
Peace Child War Child
Heart of Real

More story songs:

Vulture Fables,
Emerald Green Glass,
Ghost Child,
34th Layer of Neither/Neither,
Starfire is a Hell Song
Stone House Stone
Spirit Of The Almond Tree
Billboard Dreams

I'm not lazy or unproductive or nothin' I just saw the hellish side of music distribution and also had a bit of a lull to the 'why' of creating things. But sorted that out.
There are a full spectrum of visions to harness and I guess what I "do" isn't so accepted or definitely welcomed round these parts or whathaveyou but I think I want to tell stories, be alive, be energetic, be unapologetic in being me and creating, and do playright formations.
Also tangible material is important. Like special edition or limited hands-on, flippable, viewable.

Also, the more facebook becomes 'Meta' I really very much plan to wane away from the platform. Facebook products I've already been on the gunky rung of the algorithm. Social media is unhealthy and lots of echo-tunnels & bias, it ain't alive it's re-animated reanimation.
The priority of narrative rather than fair imagination encouragement had been a good part too of why I hadn't released a lot. But I think I'm fired up absolutely and looking into more fair platforms out there, that will compete with the Youtubes, Instas, Twitters. For more warming experiences of perhaps raw expression and fairer playing fields for content access.

Telling a tale, bleeding the soul out, dancing as Dionysus, wanting character recurrence and interpretations of lyric, instrument improvement, slicing through thinskin and bulldada, representing my own vision with fun, fire and no apology. It'll be refreshing with the birth of newer platforms. It's been insane with how dirty facebook inc does play, too, with pushing narrative and manipulation moreover as even me just doing my thing, loving my projects, has been deemed somehow "problematic" in one way or another.
Something I will never forget, either.
But shifts happen and I have a lot of projects to finish out.
And feel like being more alive than ever, and living more now fully right now rather than pushing into safer, longer, further years.
Do what you can do now, right now.

Later years ain't so appetizing and right fresh now seems fine.
Like a tornado having sex with an earthquake only it's not thunky, it's stepdancing.

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